Tamils - a Trans State Nation..

"To us all towns are one, all men our kin.
Life's good comes not from others' gift, nor ill
Man's pains and pains' relief are from within.
Thus have we seen in visions of the wise !."
- Tamil Poem in Purananuru, circa 500 B.C 

TAMIL NATIONAL FORUM

Selected Writings -  Fr. Chandiravarman Sinnathurai

Kasi Ananthan Poesy and the Tamil Eelam Liberation Struggle
An Expository Event � �Spoken Word� with Chandiravarman Sinnathurai
[Annotated and abridged by: Yakov Rubin (YR); Greenwich Village, NY.
- A complete version of this live �Spoken Word� Event will appear
as a chapter in the forthcoming hardback entitled Broken Palanquin
edited by Yakov Rubin, US publishing date - fall 2007. YR]
February 20 � 22, 2006.

Introduction

[Sinnathurai began the first session by giving a brief biographical-sketch of Kasi Ananthan�s formative years in his native place Mattakkalappu¹ . He included poems from the embryonic non-violent political struggles against genocidal violence and the resulting prolonged incarcerations and torture of Kasi �Annan�² by the Sri Lanka state. This out line covered the poet�s life of struggle between the early 1960s until 1978. YR]

We shall swiftly move into the most important thing � the poet and the message. It must be noted here that his emotive poetry [unarchee kavithaigal] is yoked in perfect rhythm, jiving with the golden nuggets of deep Dravidian³ spirituality. Kasi Ananthan⁴ is the poet laureate of Tamil Eelam. Few weeks ago, during a telephone conversation with the poet, I noticed even after many years, one could hear in his voice, that perfect balance of gentleness and the enflaming passion that is locked within this man for the liberation of his dispossessed people.

It will be pretentious should I am claiming to be the �authorized� translator of Kasi Ananthan�s poetry. I am not. What I�m planning to do albeit is to read a selection of his poetic-prose in Tamil first. In order, that you would hear the rhythm and blues, as it were of the language. Having done that, I will try my best to interpret it, not in poetic form; perhaps in fractured prose. Let it be said, that you find myself as a lowly narrative voice. The express purpose however, is to get the message across. That is of paramount importance. Put it differently, you get two for the price of one: First, you would hear one of the ancient languages spoken in poetic form, which by the way is the language of bakthi ― of sweet spirituality; melodic in content and useful for meditation. And then I suggest we make sense of it by hearing it in prose form in English. That�s the idea.

Dr. Rubin [Critical Quarterly] being a Hebrew scholar and a Tamil speaker said in his opening remarks that he speaks two most antiquated languages. I should say rather immodestly; that the Tamils speak the most ancient language - �antiquated� in the sense of not being obsolete or dead or even in need of resuscitation unlike the Hebrew language. As we all know, with the vision of Yehuda, Hebrew was quite literally resurrected! On the contrary, Thamil was a living classical language in both oral and written form. Some scholars have opined Tamil has been a living tongue for over 25,000 years, with a 5000-year complex grammar treatise [Tolkappiam] and pre-eminently rich in its prodigious literary content.

 [Poet Kasi in his preface writes that English language came into being in AD5 and French in AD7.YR]

�Prose Sprinkle�

I would like to begin by reading from a book entitled Kasi Ananthan Narukkugal⁵. The poet places these writings in the genre of prose. By coining a Tamil terminology he calls it �Sinthal Ilakkiyam�, and he translates in English as �Prose Sprinkle� . Incidentally, Kasi Annan compares these literary sprinkling to the prose-writings of Walt Whitman.

Sprinkle 1: It is entitled �Enaveri�. This speaks of racism, or more accurately about being drunk with racial prejudice. Enaveri [Transliteration from Tamil] let me now try and unpack that prose in English.

When we place the text of suffering in its context of �Munn� [soil; the birth soil-bond] we understand the seriousness of the situation the Tamils are facing in their indigenous soil. Many have disappeared without a trace. Eelam Tamils are tortured in numerous hidden Guantanamo Bays in Sri Lanka. Sadly the main-stream media functions within its limitations of a moral paralysis. Such distant reports escape its profound conviction! The poet makes the comparison that the oxen in Eelam seem to be much safer than the Tamils. The military aggression and the torture of innocents by the State are mocked as the adversary par excellence. Kasi Annan stands tall as an acute and acerbic social critic.

[Between each reading brief conversation took place and questions arose from the forum and answers given. For obvious reasons of column inches notations are not included here. YR]

Sprinkle 2: The title is Neruppu. Neruppu means fire. The poet is engaging in an imaginative verbal duel with the aggressor.

[An interesting discussion took place soon after this reading which arose from the question whether the Tamil armed resistance was the result of State aggression. Further discussion after a short coffee-break was about the ecological-terror and the result of seeing the land being made barren! The NYU undergraduates in particular, actively engaged in conversation and made the point that many think of terror only in terms of �blood, guns, bombs and fighter jets�. It was expressed with some passion that �All must think and act against the aggressors who are bleeding the mother earth into a waste land�. YR]

Sprinkle 3: Maveeran. 

I must say it is quite similar to reading St Paul�s Epistle to the Church in Corinth. St Paul is speaking of the thiyaga offering (Arpanippu =Tamil; Devotio= Latin). In Pauline thinking, life is seen as overcoming death. In other words, death is viewed not as a terminator. The self-offering of Jesus has vanquished death and thus death is swallowed up in victory. Christ� representational death is seen as a universal model for victim hood ― however, in the end there was victory over evil powers. Hence the liberating hymn of St. Paul is, �Death where is your victory?� The refrain is that death the �last enemy� is won. It�s an overwhelming victory! The fear of death is overcome in the hearts and minds of a veeran ― �Saavukku vantha Uyir� death is overcome by life. In Pauline exegesis, it would be viewed as, mortality putting on immortality, as though replacing an old pair of garment for the new.

[Many points were raised on the subject of social, political and theological matters. A direct question by a Quaker about the Black Tigers received a lengthy reply followed by discussion. An edited version is provided below. YR]

I am not making any value judgments here. The Tamil Tigers� pragmatic approach to warfare has motivated them to revive the ancient martyr cults in order to defeat a large and powerful military machine that which is not only an oppressive tool of the State but also an effective �legitimate instrument� of annihilation. Given the context it is seen as a tactical and practical decision, on the part of the Tamil Tigers to utilize �life as weapon�, Uyir Areyutham. Such sacrifice is an effective areyutham of last resort in self-defense for mere survival in the struggle for state-formation. Professor Schalk [University of Uppsala] has written extensively on this subject . He notes, that there is a special group of fighters, males and females, who are aware that in this mode of confrontation there is certain death, of course, there is no hope of survival. Being aware of this, by his/her death the fighter accepts the reality and accomplishes his task that leads to the elimination of the enemy. The death of a normal Tiger is envisaged, but so is his/her survival. The �lite Black Tiger however, calculates only with his/her death.

Dr. Sachi Sri Kantha [Japan] being an Eelam Tamil has a natural instinctive understanding of socio-cultural/language nuances. He too gives an eloquent exegesis of the martial culture found in Mahabharatam epic and by comparative study he extracts understanding of the modern Black Tigers. Kantha�s selected writings could be found at the Tamil Nation web ― I would recommend this website as an excellent tool for research students of the Eelam Tamil struggle.

We understand that an elite Black Tiger calculates the combat only with his death. His/her act is understood as a supremely devotional sacrifice. A �laying down of life� in the Gospel sense perhaps, for the �emancipation of many�. We ought to fully understand the genocidal context in which these resistance techniques are employed and only then we must proceed to interpret accordingly. I am not passing any moral or ethical judgments. The world nonetheless cannot turn a blind eye to a slow-genocide. I would urge you to enquire, what really pushes these people to the edge of self-offering [Thatkodai].

We note here an important distinction. The difference between a Black Tiger (Thiyagi) and that of a Hamas Shahid (martyr) -

1) The claim of the Tamil Tigers is that it attacks only military targets and NOT civilian targets.
2) The Black Tiger�s Thiyagam, sacrifice is made in a secular setting.

The Hamas Shahid is propelled by religious rationale and with the belief that he will be compensated in a life here after. An ideal Black Tiger on the normative level is not religiously motivated. The critical difference however is that, the Black Tiger is not made to believe that he/she will be compensated in next life. Each Black Tiger who has given his life as uyir areyutham is considered to be a living flame of sacrifice and their burial tomb (normal Hindu practice of cremation is not followed) is a naddukal (apotheosis of a hero) to Ellai kavalgal ― protection of territorial borders of Tamil Eelam. According to Schalk, naddukal is a �territorial seal�. A Tiger Thiyagi is held in high honor as a corner stone to Tamil Eelam. [Schalk, The Revival of Martyr Cults among Ilavar, Temenos 33, 1997, pp151 - 190]

 [Sinnathurai however, abstained from offering a critique on these writings. YR]

Sprinkle 4: We shall end with this prose, entitled: The Cross, Siluvai.

This is unadulterated liberation theology. All of us long for the day there will be no war. As a result the Arms industry will be made redundant. Conflicts would be solved solely by dialogue. That is our vision. Conflicts ought to be solved ideally by talks rather than by arms; by conviction of the truth rather than duplicitous coercion.

However, there are historical evidences that indicate engaging in the processes of dialogue with the Herod�s of this world is a universal illusion ― perhaps even an oxymoronical slang. Herod�s of this world [the institutionalized oppressive systems] are bent on prevaricating. Resurrection therefore is a dynamic vision and a weapon of hope; which breaks the shackles; setting the human spirit free. It is no coincidence that the hermeneutics of Siluvai � the Cross; interprets the �long-walk through the Red Sea of the Hebrew slaves� as a baptism ― a profound spiritual experience of dying and being brought back to life. You find yourself sandwiched between the onslaught of Herod�s �institutionalized revenge� and the deep blue sea. You are trapped by death; expelled to extinction. Though I walk through the valley of the shadow of death, I will fear no evil . The prose of the psalmist is echoed here. Death is but a shadow ― a farcical procedure, which binds communities with the paralysis of fear. The cross however, gives all victims a decisive victory.

 [Sinnthurai proposed that the cross is put forward here not as a parochial religious icon/designer brand/celebrity symbol, on the contrary purely as a spiritual principle. YR]

Siluvai for the poet is the moral paradigm within the vicissitudes of frustrated groans. That is perfect peace ― in the eye of the hurricane; even in the face of aggression, turmoil, victimization and conflict. Ren� Girard in his seminal work on anthropological foundational violence makes a piercing observation that communities are often �indebted to violence for the degree of peace that they enjoy.� It�s a bit like the war to end all wars or the war against terrorism or war for peace ― as someone interpreted all [this rhetoric] to be just a tiny coracle of good intentions borne away on an incorrigible tide of mediocrity.

In his analysis Girard points out that if �all offered the other cheek, no cheek would be struck� if all men loved their enemies, and there would be no enemies. But if they drop away at the decisive moment, what is going to happen to the one person who does not drop away?� [Girard, Non Sacrificial death of Christ, 1996, Crossroad, NY]

The logic of non-violence is undoubtedly superior. The non-violence mode of thinking however might be in the grip of illusions, if it simply fails to differentiate the warped logic of genocidal threat ― which is of course an appalling reality faced by many indigenous communities and cultures.

State terror in Sri Lanka is a �legitimate� weapon that has been unleashed to annihilate the Tamils. The idea of the sanctity of the state requires an urgent revision. Perpetrators of state terror have to be held accountable by the International bodies especially the UN [see below deteriorating human rights record. YR]

However a deep unease has been raised among third-world thinkers including some Western political analysts and social commentators, that the UN is one of the greatest inventions of mankind only to tragically evolve lately as a universal illusion! The contemporary state of affairs glaringly reveals an asymmetrical international system that is in operation. Permanent membership and the power of veto within the structure of the UN Security Council are reserved only to China, UK, France, Russia and the United States. The frightening reality nonetheless is that there is only ONE super power. France�s Chirac thinks that India should have a permanent seat in the Security Council. Does it really matter? How about Germany, Brazil and Japan? As we ponder on non-violence and the prospect of world peace one must genuinely ask, quite rightly whether there is a future for a single international system. Only time would tell.

Now to conclude. The �threat� of resurrection ― uyirtheluthal or in Kasi Annan�s word: Savukku vantha Uyir [death overcome with life] will keep the flame of liberty burning. The power of the �indestructible life� is revealed. Where there is life there is hope. So it is with such hope that we will render powerless the evil .

And we shall overcome.

Notes:

1] In the East coast of Tamil Eelam. Anglicized version Batticaloa.
2] An endearing term of respect for an older brother/senior person. Sinnathurai switches from Poet�s last name Ananthan to Annan (endearing term) almost similar sounding words in this inspiring �event�.
3] Dravidians are one of the aboriginal races in South and central India and Sri Lanka. Tamil being the mother/root language, it includes Malayalam, Telugu, Kannada and Gondi.
4] Since the late 1970�s poet Kasi has been living in exile in Madras/Chennai, South India. Refer:http://www.tamilnation.org/hundredtamils/kasiananthan.htm
5] Sinnathurai thanked Nakkeeran, a writer based in Toronto for presenting him this book in 2005.
6] Poet Kasi also calls it �Kirrukal Ilakkiyam� � a relatively recent literary format known as Puthu kavithaigal/prose scribbles.
7] Pauline epistle � 1 Corinthians 15: 50ff  �The Mystery of Resurrection�. Sinnathurai also questioned whether this particular prose Maveeran could have an interpretative-persuasive in the model of Christ -  �Truly, truly, I say to you, unless a grain of wheat (Kothumai mani) falls into the earth and die; it remains alone; but if it die; it bears much fruit� St. John 12: 24 [New American Standard Version]
8] Schalk. �Concepts of Martyrdom and Resistance of the LTTE". Martyrdom and Political Resistance. Ed. Joyce Pettigrew. Centre of Asian Studies Amsterdam. Amsterdam: VU Press, 1997, pp. 61-82.
9] http://www.tamilnation.org/forum/sachisrikantha/blacktigers2.htm .
10] Psalm 23 Hebraic Psalms of King David.
11] See - The Epistle to the Hebrews 2: 14ff; and Hebrews 7:16. [The Greek text]
* Below we quote some peace talks and the deteriorating human rights of the Tamils in the NorthEast :

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List of Kasi Ananthan�s published works [Courtesy of - http://www.tamilnation.org/ ] Books
1. Kasi Ananthan narukkukal. Chennai: Naa. Arunasalam, 1999.
2. Kasi Ananthan kavitaikal. Chennai : Naa. Arunasalam � Manavar Puttakappannai, 1998, 221 p.
3. TamilanA taminkilanA. Chennai : Manavar Puttakap Pannai, 1995, 126 p.
4. Kasi Ananthan kataikal. Illustr. by VIra SantAnam. Chennai: Kantalakam, 1992, 93 p.
5. Kasi Ananthan kavitaikal. ?: Ramanathapuram-Koyampathur, 1990, xx-164 p.
6. Tampi jeyattukku� ?: Cholan Patippakam, n.d., 116 p.

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A reference to �resistance literature�

V.Geetha in her article: � Cultural Guerilla Warfare in Tamil Eelam: Aspects of Tamil Resistance Literature � [Geetha, 1989: 5-27] finds ground for theorising on Tamil poems emanating from the civil-war period in Sri Lanka, including poems written by the participants in the guerrilla struggle against domination by the Sinhala forces in Colombo. Seeking her parameters in Barbara Harlow�s Resistance Literature and Franz Fanon�s The Wretched of the Earth, she quotes [Geetha, 1989: 6] and bases her characterisation of Eelam Tamil poems on the findings of Elias Khouri, a Palestinian critic and writer, to affirm:

The culture of resistance in Sri Lanka that grew out of the Tamil People�s struggles for their traditional homeland of Eelam sought to respond to the genocidal assault on Tamil language and culture through various strategies of defiance and subversion. The cultural realm was thoroughly transformed in the process and soon, literary and aesthetic guerilla warfare� came to be, whose instances of protest and resistance may be regarded as the articulations of a Resistance Literature. [Geetha, 1989: 6]

As with the literatures of struggling nationalities all over the world, Tamil literature, including Tamil poetry, soon acquired a double edge: on the one hand, it drew inspiration from the traditions and cultures of its origin, while on the other hand it turned visibly �modern� and set about its adventurous search for forms of expression adequate to its historical moment of chauvinism and violence. [...] Tamil poetry necessarily dwells and broods on the phenomenon of death, destruction, the shattering of familial bonds, the pain of separation but most of all on the insidious politics of race. But it has its liberative moments as well, its moments of celebration of community and a brave new world to come, its moments of surprise when silenced voices, especially women�s voices begin to emerge. [ Geetha, 1989:9]

References/Bibliography

1. Barbara Harlow. Resistance Literature. New York & London: Methuen, 1987.
2. V. Geetha, � Cultural Guerilla Warfare in Tamil Eelam: Aspects of Tamil Resistance Literature �, Journal of Eelam Studies, no.3 (London), Fall 1989, pp. 5-27.
3. Jesurasa Cheran & Padmanaba Iyer, Eds. Maranuthul Vazhvum (We Live in Death) [An Anthology of Tamil Eelam Resistance Poetry].
4. Solaikili. Ettavathu Naragam . (Eighth Hell). Batticaloa, Sri Lanka: Vyugam, 1988. Intro. by Nuhman.
5. Patmasothi Shanmuganathapillai. Vanatiyin Kavitaikal. Linnich, Germany: Liberation Tigers of Tamil Eelam - German Branch, 1st. ed. 1991, repr. 1993, 55p. Preface by Jaya, responsible for the Youth section of the LTTE.