| Contents are copyright by Diane Gromala
and Douglas Bicket. These may be reproduced for non-commercial,
educational purposes provided this notice is included and contents are
not altered.
|
|
Modernism
"disenchantment with material truth and search for abstract
truth."
|
Postmodernism
"There is no universal truth, abstract or
otherwise." |
| Time
Line |
|
(Renaissance?) Enlightenment --->
1750s ---> 1890-1945.
|
Post WWII, especially after 1968
|
| General |
|
Attempt to fashion a unified,
coherent world- view from the fragmentation that defines existence
|
Attempt to subvert the distinction
between "high" and "low" culture
|
|
High Modernism 1920s & 1930s,
following WWI -- outmoded political orders and old ways of
portraying the world no longer seemed appropriate or applicable;
reaction against existing order; avant garde
|
Eclecticism, a tendency toward parody
and self-reference, and a relativism that knows no ultimate truth;
no distinctions between "good" and "bad"
|
|
Alienation; objective, essential
knowable truth and beauty, totality and unity can still be found;
meaning can be known, understood, and mastered through rational and
scientific means.
|
Texts: world is a multiplicity of
texts and discourses
|
|
Classification of the world; order;
hierarchy
|
Relativism
|
|
Mastery and progress: Historical
development; past affects present and future.
|
Ahistorical: future is indeterminate;
past is a "text"; we can't learn from the past; we can
live only in the present
|
|
Universalizing
|
"Localizing", pluralizing
|
|
Linear (like a novel)
|
Non-linear (like the Web)
|
|
Works of art, science are windows to
the truth.
|
Works of art, science are only texts,
can only be understood in themselves.
|
| Computers |
|
PCs/UNIX/command line environments
Stand-alone mainframe computers
|
Macintosh/Windows; Internet/WWW
Computer networks
|
| Culture |
|
High culture vs. low culture --
strictly divided; Only high culture deserves to be studied, analyzed
Commodification of culture --
everything can be bought or sold
|
Everything's "popular"
culture -- it all deserves to be studied; pluralizing
|
| Symbolism
|
|
Symbols & meaning: hammer and
sickle = world communism, "evil empire"
|
Symbols drained of meaning: hammer
and sickle in advertising (e.g., beer commercials)
|
| Architecture |
|
"Form follows function"; Le
Corbusier, "machine aesthetic"; Mies van der Rohe;
International style (eg, airports): straight, clean lines
|
Multiple, historical refs.;
"playful" mix of styles, past and present. Las Vegas,
Pompidou Center; Venturi, Robert Stirling
|
| Economics |
|
Fordism: mass production; global
(International) style
|
Post-Fordism: "global
localism"; multiple styles
|
| Science |
|
Bacon, observation, scientific
rationalism; Newtonian physics, "clockwork universe";
David Hilbert
|
Einstein, quantum physics, Heisenberg
Uncertainty Principle,
Schrodinger's
cat; Chaos; Kuhn,
Rorty,
science as a game, as "made" rather than "found"
|
| Politics |
Big ideas/big, centralized political
parties rule
|
Fragmented ideas, decentralized
power; "micro-politics": interest groups rule (minority
factions, NRA, business groups); Foucault, "everyone has a
little power"
|
|
Door-to-door politics; big rallies
|
TV politics -- clash of images:
"how will it play on the six o'clock news?"
|
|
Capitalism vs. communism: clash of
ideologies
|
"Late capitalism" rules
|
|
"The Making of the
President"
|
"The Selling of the
President"
|
|
Parody: Dr. Strangelove; Orwell's
Animal Farm
|
Pastiche: Wag The Dog
|
| Arts |
|
Artist is creator rather than
preserver of culture
|
Artist plays with different styles;
aesthetics; pastiche all-important
|
|
Impressionism, Cubism, abstract
expressionism, suprematism (Malevich's "Black Square")
|
Pop Art, Dada, montage
|
|
"Photograph never lies" --
photos and video are windows/mirrors of reality
|
Photoshop: Oh yes it does -- photos
and video can be altered completely; montage (where's the reality?)
|
|
Art fights capitalism
|
Art is consumed by capitalism
|
| Fiction/Literature |
|
Novel is the dominant form; movies
Author determines meaning; the "canon"; of great works:
Shakespeare, Kafka, Joyce, Some can tell "good" from
"bad" -- art critics important
|
TV, WWW; Meaning is indeterminate.
Thomas Pynchon, Cathy Acker, William Gibson. Rise in importance of
"popular" culture; we can't tell good from bad; it's all
relative
|
| Theatre/Movies/TV |
|
John Ford; Modern Times; Bertolt
Brecht; Metropolis.
|
RepoMan, Pulp Fiction (Tarantino),
Blade Runner, X-Files
|
| Music |
|
Mozart, Beethoven, Schoenberg
Idea of creating an artistic
"piece" continued through to rock'n'roll era.
|
"World music"; pick-and-mix
of styles
Sampling
John Cage, David Byrne
|
Modernism
"disenchantment with material truth and search for abstract
truth." |
Postmodernism
"There is no universal truth, abstract or otherwise." |