Contents are
copyright by Diane Gromala and Douglas Bicket.
These may be reproduced for non-commercial,
educational purposes provided this notice is
included and contents are not altered. |
Modernism "disenchantment with
material truth and search for abstract
truth."
|
Postmodernism "There is
no universal truth, abstract or
otherwise." |
Time Line |
(Renaissance?) Enlightenment ---> 1750s
---> 1890-1945. |
Post
WWII, especially after 1968 |
General |
Attempt to fashion a unified, coherent world-
view from the fragmentation that defines
existence |
Attempt to subvert the distinction between
"high" and "low" culture |
High
Modernism 1920s & 1930s, following WWI --
outmoded political orders and old ways of
portraying the world no longer seemed appropriate
or applicable; reaction against existing order;
avant garde |
Eclecticism, a tendency toward parody and
self-reference, and a relativism that knows no
ultimate truth; no distinctions between "good" and
"bad" |
Alienation; objective, essential knowable
truth and beauty, totality and unity can still be
found; meaning can be known, understood, and
mastered through rational and scientific
means. |
Texts: world is a multiplicity of texts and
discourses |
Classification of the world; order;
hierarchy |
Relativism |
Mastery and progress: Historical development;
past affects present and future. |
Ahistorical: future is indeterminate; past is
a "text"; we can't learn from the past; we can live
only in the present |
Universalizing |
"Localizing", pluralizing |
Linear (like a novel) |
Non-linear (like the Web) |
Works of art, science are windows to the
truth. |
Works of art, science are only texts, can
only be understood in themselves. |
Computers |
PCs/UNIX/command line environments
Stand-alone mainframe computers |
Macintosh/Windows; Internet/WWW Computer
networks |
Culture |
High culture vs. low culture --
strictly divided; Only high culture deserves to
be studied, analyzed
Commodification of culture
-- everything can be bought or sold
|
Everything's "popular" culture
-- it all deserves to be studied;
pluralizing
|
Symbolism |
Symbols & meaning: hammer and sickle =
world communism, "evil empire" |
Symbols drained of meaning: hammer and sickle
in advertising (e.g., beer commercials) |
Architecture |
"Form follows function"; Le Corbusier,
"machine aesthetic"; Mies van der Rohe;
International style (eg, airports): straight, clean
lines |
Multiple, historical refs.; "playful" mix of
styles, past and present. Las Vegas, Pompidou
Center; Venturi, Robert Stirling |
Economics |
Fordism: mass production; global
(International) style |
Post-Fordism: "global localism"; multiple
styles |
Science |
Bacon, observation, scientific rationalism;
Newtonian physics, "clockwork universe"; David
Hilbert |
Einstein, quantum physics, Heisenberg Uncertainty
Principle, Schrodinger's cat; Chaos; Kuhn, Rorty, science as a game, as
"made" rather than "found" |
Politics |
Big
ideas/big, centralized political parties
rule
|
Fragmented ideas, decentralized power;
"micro-politics": interest groups rule (minority
factions, NRA, business groups); Foucault, "everyone has a
little power" |
Door-to-door politics; big
rallies |
TV
politics -- clash of images: "how will it play on
the six o'clock news?" |
Capitalism vs. communism: clash of
ideologies |
"Late capitalism" rules |
"The
Making of the President" |
"The
Selling of the President" |
Parody: Dr. Strangelove; Orwell's Animal
Farm |
Pastiche: Wag The Dog |
Arts |
Artist is creator rather than preserver of
culture |
Artist plays with different styles;
aesthetics; pastiche all-important |
Impressionism, Cubism, abstract
expressionism, suprematism (Malevich's "Black
Square") |
Pop
Art, Dada, montage |
"Photograph never lies" -- photos and video
are windows/mirrors of reality |
Photoshop: Oh yes it does -- photos and video
can be altered completely; montage (where's the
reality?) |
Art
fights capitalism |
Art
is consumed by capitalism |
Fiction/Literature |
Novel is the dominant form; movies Author
determines meaning; the "canon"; of great works:
Shakespeare, Kafka, Joyce, Some can tell "good"
from "bad" -- art critics important |
TV,
WWW; Meaning is indeterminate. Thomas Pynchon,
Cathy Acker, William Gibson. Rise in importance of
"popular" culture; we can't tell good from bad;
it's all relative |
Theatre/Movies/TV |
John
Ford; Modern Times; Bertolt Brecht;
Metropolis. |
RepoMan, Pulp Fiction (Tarantino), Blade
Runner, X-Files |
Music |
Mozart, Beethoven,
Schoenberg
Idea of creating an artistic
"piece" continued through to rock'n'roll
era.
|
"World music"; pick-and-mix of
styles
Sampling
John Cage, David
Byrne
|
Modernism "disenchantment with
material truth and search for abstract
truth." |
Postmodernism "There
is no universal truth, abstract or
otherwise." |